With the help of Schotty's narration, the two men turn Matthis's mind into a less frightening and more joyful place. But Schotty slowly realizes that he's not going to be there much longer.

Matthis begins to despair when he notices that the feeling in his eyelid has suddenly gone. Schotty tries to distract him with a story.

How does Matthis feel about living in a coma? Can he see any upsides to it? An interesting conversation develops between the two men, but Schotty suddenly has to break it off because he has a rather mundane need.

Schotty talks to Matthis, who is glad to finally have the opportunity to ask all the questions that have been bothering him since he first found himself trapped inside his own head.

Schotty, who is claustrophobic at the best of times, wakes up to find himself inside Matthis's head. As he starts to panic, Matthis tries to help calm him down...

Schotty heeds the caregiver's advice and tells Matthis stories from his everyday life. Talking about one soccer game of the 2014 World Cup, he gets so excited that he falls...

On his new assignment, Schotty meets a young man who has been in a vegetative state for six years, and his caregiver, who explains why Schotty's services are required today.

All's well that ends well? The missing fiver turns up again, Schotty receives a surprising gift, and, in the end, the only honest person comes off worst...

Schotty pays for his currywurst with a very special five-euro bill, which turns out to be part of an outrageously expensive piece of art from the gallery...

In his discussion with the gallery owner, Schotty accepts that one's own opinion can be greatly influenced by that of other people. But he's still very skeptical about how the price of certain works of art are determined.

Schotty and the gallery owner get into a discussion about the credibility and value of artworks and artists. We experience two opposing positions, but in the end they somehow seem to find common ground.

We are witness to an exciting discussion about art and how its value is determined. Schotty gets rather worked up about the whole thing!

This installment of the satirical news show "extra drei extra" focuses on public transport in Germany.

The gallery owner tells Schotty how her rejection of a painting led to a shootout in her gallery. Before getting to work, Schotty has a look at the current exhibition.

Ever the optimist, Schotty still believes that everything will turn out all right. Certainly, the suspense goes on until the very end!

Everything has to be sustainable nowadays, but so many claims of "sustainability" are nothing more than greenwashing. Greenwashing is only about looking green, selling products, and easing the conscious of the consumer, but not about actually working to protect the environment.

Merle delivers the speech she has prepared for Schotty, which he finds deeply moving, and the two of them end up in each other's arms.

The next person Schotty encounters is Merle, the love of his life. They talk about their relationship and mutual regret about having so little time together, but she seems to know something he doesn't.

The situation is getting more and more bizarre and Schotty is starting to feel uneasy about it all. He just wants to get away.

Schotti's patience is wearing thin. How much more of this nonsense should he be expected to put up with? And what is going on, anyway?

The longer Schotty has to wait to start his cleaning assignment, the weirder this office block seems to get. We also learn how the victim died: It was death by chandelier.

Schotty turns up at a huge office building for his next cleaning job, but the employee at the reception does not make things easy.

Despite the friends' arguing, the last part of the episode culminates in a creative outburst that unites them in the most beautiful way.

The philosophical discussion on the subject of felt furniture pads continues, and finally we begin to understand what Didi's objection to them is really all about.