This cartoon shows that positivity can overcome negativity and, in the end, it's the bullies who always lose.

Caroline introduces us to Uschi, who moved to France because she fell in love with a French guy. It took her a while, but now she has a job that really suits her!

Even though she doesn't plan to move back, there are some things that Uschi misses about her home region of Bavaria.

In this interview, Regine tells us about how she came to live in Paris, what she likes about France, what she misses most about Germany, and about the cultural differences between the two countries.

Regine shows us her artworks and talks a bit about her process. We also learn why she couldn't imagine moving back to Germany.

The inflation rate is rising rapidly in Germany. What do people think about that? "TV total" went to find out.

The satirical mockumentary "Twinfruit: The Can Must Become Human" tells the story of a fictional advertising campaign for canned fruit. In Part I, we get to know Gunnar Kleiber, owner of the advertising agency Kleiber & Partner, as well as the firm’s new Creative Director, Lutz Wolf.

The creative team brainstorms for the canned-fruit advertising campaign — but they all realize that Lutz is the one who’s going to help them level up.

The Kleiber und Partner team is not making much progress with the new campaign… and the deadline is approaching!

There are only 30 hours to go until the team has to present their concept for a new advertising campaign to Hansen, the canned fruit company. Having no good ideas so far, they head to a supermarket to see if they can find some inspiration.

Time is running out, and the team still doesn't really have any good ideas. Finally, Lutz comes up with a concept for the canned fruit ads that they can implement.

The team works through the night and finishes their proposal just in time to get to the meeting in Hamburg. It's clear that Lutz and Mr. Kleiber are thriving on the stress.

Gunnar and Lutz feel that the meeting went relatively well, despite a few awkward moments. Now they have to meet the director, who has been chosen by the client.

Lutz and the director Adrian Kosinovic talk about and clash over the production of the commercial. Adrian tells us what fascinates him about his work, and we also get to see some of the casting process.

Although many of the actors go home disappointed and even humiliated, two lucky ones get cast as a strawberry and an orange. Meanwhile, Gunnar has some bad news for Lutz regarding the client.