In this final segment, Jan Böhmermann and the rest of the panel talk about to what extent jokes can be made about certain groups. Are there times when they create actual stereotypes and thus become harmful?

Singers Max Giesinger and Lotte talk about the very first songs they wrote, and the different directions the video for their song "Auf das, was da noch kommt" ("Here's to What's to Come") could have taken.

German pop musicians Max Giesinger and Lotte talk about the creative process and the stages of producing a new album – including waiting for it to finally be released!

In Part 2 of the interview, Lotte and Max Giesinger discuss the variety of experiences they've had as performers, how hard it can be to get discovered, and some of the worst gigs they've ever played.

This segment begins with a discussion about generational differences, and then continues on to an exploration of the roles and responsibilities of the government and of the people.

Determined to hear from anyone who has a question or comment, the panel members continue to call on audience members. One person points out that the problem of right-wing extremism is hardly confined to Germany, and that age has a lot to do with the perception of immigration as a threat rather than something that benefits society.

Two members of the audience discuss perceptions of democracy and political engagement in Germany, while Jan Böhmermann considers how the meanings behind certain political terminology are shifting. They are grateful for the fact that the ZDF network has put a spotlight on Saxonians who are against far-right extremism in Germany.

Jan Böhmermann and his peers discuss freedom of expression, recent changes in the way the press is viewed, and the effect this has on satirists and comedians who deal with current events.

The panel talks about how the infrastructure in Germany may contribute to the rise of far right sentiment in the eastern part of the country.

Audience members talk about a recent demonstration and how reactions to populist movements have changed in cities such as Dresden.

The panelists talk more about stereotypes of eastern and western regions of Germany and what motivates people to join the AfD. One audience member reminds the group that actions speak louder than words.

The panel discusses the possibility that AfD (Alternative für Deutschland) supporters are not always opposed to immigrants, but may be voting for the far right for other reasons. They continue to consider what the role of comedy is in all of this.

A member of the audience discusses differences in anti-immigrant sentiment in Bavaria and Saxony, and in rural and urban communities.

Jan Böhmermann and his team from the late-night show Neo Magazin Royale went to Dresden to understand why right-wing populism finds so much acceptance there. Together with Ralf Kabelka, Moritz Neumeier, and the audience in the Staatsoperette Dresden, he dedicates the show to the question of whether it is helpful or counterproductive to make them the subject of his jokes again and again. Here in the first part, you'll learn about the motives and conditions of the following discussion.

Janosch Leuffen asks Free Birds voice actors Nora Tschirner and Rick Kavanian what they would do if they could go back in time like the characters in the film.