With the help of Ms. Merzig, Billie tries to steal the secret to good ratings from the program director's safe, but unfortunately they are interrupted by a security guard, and the whole situation may not be what it seems...

It seems that J.B. Rosenberg has decided on Sascha for his film, but then a friendly round of baseball ends in an accident...

Although many of the actors go home disappointed and even humiliated, two lucky ones get cast as a strawberry and an orange. Meanwhile, Gunnar has some bad news for Lutz regarding the client.

A new zombie series starring Sascha doesn't do as well as Billie hoped, and she finds herself in direct competition with Dr. Wolter for Mr. Bode's job.

Lutz and the director Adrian Kosinovic talk about and clash over the production of the commercial. Adrian tells us what fascinates him about his work, and we also get to see some of the casting process.

Judith Kleine is making herself unpopular again, Billie wants Sascha's help revising her series to increase the ratings and J.B. Rosenberg comes out as a fan of Sascha Hehn.

As it turns out, Mr. Bode is totally impressed by Sascha's reconciliation with Roberto Blanco, and thinks that it's Billie's doing.

Gunnar and Lutz feel that the meeting went relatively well, despite a few awkward moments. Now they have to meet the director, who has been chosen by the client.

It looks like all is lost when Sascha finds himself in the midst of another scandal, and also finds how that he's being conned. And yet, at the last minute, he manages to surprise everyone.

The team works through the night and finishes their proposal just in time to get to the meeting in Hamburg. It's clear that Lutz and Mr. Kleiber are thriving on the stress.

Billie recasts the role on Traumschiff as requested by Sascha, and immediately gets an earful from the actor being let go. Meanwhile, Sascha has other problems when he goes to apologize to Robert Blanco.

Time is running out, and the team still doesn't really have any good ideas. Finally, Lutz comes up with a concept for the canned fruit ads that they can implement.

There are only 30 hours to go until the team has to present their concept for a new advertising campaign to Hansen, the canned fruit company. Having no good ideas so far, they head to a supermarket to see if they can find some inspiration.

Sascha tracks down his alleged son, Antoine Monot, who is an aspiring actor himself, and suggests that they get to know each other. Meanwhile, Billie deals with all sorts of accusations from her former boss.

The newspapers accuse Sascha of racism following his TV appearance with Roberto Blanco, and opportunist Judith exploits the situation to make a name for herself. Billie jumps at the chance to give the scheming intern a good talking-to.

The Kleiber und Partner team is not making much progress with the new campaign… and the deadline is approaching!

Due to his role in the made-for-TV movie "Hitler's Dog Handler," Sascha is invited to be interviewed on a morning TV show – only to be presented with a surprise!

The creative team brainstorms for the canned-fruit advertising campaign — but they all realize that Lutz is the one who’s going to help them level up.

Berthold Bode makes Billie a very attractive offer — the catch is that she has to keep it a secret. Meanwhile, Sascha nails an audition and gets a new role.

The satirical mockumentary "Twinfruit: The Can Must Become Human" tells the story of a fictional advertising campaign for canned fruit. In Part I, we get to know Gunnar Kleiber, owner of the advertising agency Kleiber & Partner, as well as the firm’s new Creative Director, Lutz Wolf.

Judith cooks up a plan to win Billie’s support. Meanwhile, Markus tries to coax an admission out of Sascha.

Sascha Hehn escapes Iris Berben’s acting class; intern Markus rejects Dr. Wolter’s advances; and Billie turns down an opportunistic Judith.

Welcome to the satire sitcom “Browser Ballet!” Expensive rents, crowds, noise, and a lack of available daycare spots are increasingly driving city slickers into the countryside. But are their new neighbors ready to accept them?

In the second part of the satirical political program "Nuhr im Ersten," the comedian offers a critical and humorous look at the discussions that took place prior to the appointment of the new chancellor and the coalition government.